• ARTIST

    JASON MITCHAM

    Through an interdisciplinary approach rooted in painting and stop-motion animation, Jason Mitcham’s work explores mapping, land use, layering of history and cycles of growth and decay. His work charts the complex web of social, political and environmental forces embedded in the landscape. Both his research and practice are heavily influenced by his history as a land surveyor.

  • artist

    Renzo Ortega

    Renzo Ortega is an artist based in Carrboro, North Carolina. His work embodies a range of styles and influences, from patterns design, gestural expressionism, to figuration and abstraction.

  • book

    SAVED: OBJECTS OF THE DEAD

    Saved: Objects of the Dead is a photographic and poetic exploration of the human experience of life, death, and memory. The book features over forty color photographs by NC-based artist Jody Servon paired with prose poems by CA-based poet Lorene Delany-Ullman.

  • ARTIST

    Leigh Suggs

    Suggs channels her fascination with the mystery and psychology of sight through cut paper works and large-scale installations. She obscures normal perception, manipulating her materials as if optical illusions.

  • project

    Love Over Rules

    What does it mean to let love break the rules we have in our lives? That is the question built into Artsuite’s inaugural project, LOVERULES — a new large-scale installation in Raleigh’s warehouse district created by conceptual artist Hank Willis Thomas.

  • ARTIST

    WILLIAM PAUL THOMAS

    Thomas' portrait series, which gets its name from a medical term used to describe blueness of the skin caused by insufficiently oxygenated blood, began with a painting of the artist’s young nephew, Michael. Thomas painted half of Michael's face blue as a way of emphasizing his brown skin, to make his complexion part of the content and the conversation. The artist says that the underlying, more universal idea behind the half-blue portraits is the fact that we are all dealing with some kind of conflict, trauma or adversity that the people we engage with day-to-day might not know anything about.

NEW ARRIVALS{

Artsuite - Zach Storm - The Diminishing Parallax and its Effect on Initial Impressions - When painting, Storm often thinks about implying the passage of time. The elements of his paintings appear to be placed on the canvases. The images are constructs based on cinema, dreams, fantasies, half-remembered texts and repeated phrases. The landscapes are scenes of contemplation, creation and communication.

ZACH STORM

Painting | 2023 

 

"When painting, I am often thinking about implying the passage of time. I am in a perpetual state of slowing myself down. By working slowly and intuitively, I give each mark the weight it deserves. I am concerned with making paintings that reveal their own history. The earliest layer remains visible just as every layer that follows. I want to give as much as I can to the inquisitive viewer. The imaginary landscapes contain both silence and tumultuous change.

In the After-Future there is an attempt to live and work within the ruins of the past. There is a feeling of dislocation and the need to relearn. The elements of the paintings appear to be placed on the canvases. The images are constructs based on cinema, dreams, fantasies, half-remembered texts and repeated phrases. The landscapes are scenes of contemplation, creation and communication."

-Zach Storm

 

Size

42 x 30 inches

 

Materials

Acrylic and ink on canvas

 

Authenticity

Hand signed by the artist

SEE THIS WORK
Artsuite - Zach Storm - Heliographer's Niche - Original Painting. When painting, Storm often thinks about implying the passage of time. The elements of his paintings appear to be placed on the canvases. The images are constructs based on cinema, dreams, fantasies, half-remembered texts and repeated phrases. The landscapes are scenes of contemplation, creation and communication.

ZACH STORM

Painting | 2023 

 

"When painting, I am often thinking about implying the passage of time. I am in a perpetual state of slowing myself down. By working slowly and intuitively, I give each mark the weight it deserves. I am concerned with making paintings that reveal their own history. The earliest layer remains visible just as every layer that follows. I want to give as much as I can to the inquisitive viewer. The imaginary landscapes contain both silence and tumultuous change.

In the After-Future there is an attempt to live and work within the ruins of the past. There is a feeling of dislocation and the need to relearn. The elements of the paintings appear to be placed on the canvases. The images are constructs based on cinema, dreams, fantasies, half-remembered texts and repeated phrases. The landscapes are scenes of contemplation, creation and communication."

-Zach Storm

 

Size

60 x 40 inches

 

Materials

Acrylic and ink on canvas

 

Authenticity

Hand signed by the artist

SEE THIS WORK
When painting, Storm often thinks about implying the passage of time. The elements of his paintings appear to be placed on the canvases. The images are constructs based on cinema, dreams, fantasies, half-remembered texts and repeated phrases. The landscapes are scenes of contemplation, creation and communication.

ZACH STORM

Painting | 2023 

 

"When painting, I am often thinking about implying the passage of time. I am in a perpetual state of slowing myself down. By working slowly and intuitively, I give each mark the weight it deserves. I am concerned with making paintings that reveal their own history. The earliest layer remains visible just as every layer that follows. I want to give as much as I can to the inquisitive viewer. The imaginary landscapes contain both silence and tumultuous change.

In the After-Future there is an attempt to live and work within the ruins of the past. There is a feeling of dislocation and the need to relearn. The elements of the paintings appear to be placed on the canvases. The images are constructs based on cinema, dreams, fantasies, half-remembered texts and repeated phrases. The landscapes are scenes of contemplation, creation and communication."

-Zach Storm

 

Size

60 x 40 inches

 

Materials

Acrylic and ink on canvas

 

Authenticity

Hand signed by the artist

SEE THIS WORK

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